Monday 7 October 2013

28 & 29 September 2013 (Days 271 & 272) – The Miseducation of otis.youth Pt.6

Grand Final Saturday.  As the Western Bulldogs have never got there in my lifetime, I find music shopping is a great therapy as the supporters of the two teams lucky enough to make it, celebrate and make their way to the MCG.  I'll shop, sulk and generally annoy "M" until such time as game starts and only then can I lose myself in the game.  Naturally, I switch off after the final siren (after all their is the season's Premier to be acknowledged) but before the cup is presented (which is a sacred moment for the team, their supporters and no one else).

Sunday arrives and I know that Summer is around the corner.  "M" and I celebrate by heading into town thus ensuring a) another weekend without music, as well as b);

The Miseducation  of Otis.youth - Part 6

“M” quite literally walked into my life (actually my office).   First impressions weren’t all that great; she didn’t like me at all.  Not that it mattered.  No one, including yours truly, could fail to notice what looked like a giant engagement ring on the appropriate finger.  As I thought she was off limits, I reverted to my usual John Cusack as in Hi-Fidelity easy going character, and this eventually did the trick.  Around two years later she succumbed to the acquired taste that is otis.youth.

Despite the efforts of the boom box in my office, music did not play a major role in our courtship with my complete and utter failure to play anything in my collection that led to any expression of, even begrudging, enthusiasm.  I put this to one side as I gradually became aware that our sense of spirituality and what’s important in life were for all intents and purposes identical.  Before I knew it, I had proposed fully realising that the most unlikely scenario in my life was to be writ large; I was going to share that rest of my life with someone whose musical taste did not remotely resemble mine. 
But ultimately this did not matter as we found ways and means to overcome the void.  Lazy Saturday mornings in bed listening to music we loved never eventuated; instead we discovered our taste in movies and TV was practically identical.  Friday and Saturday nights in pubs attending gigs likewise didn’t occur and we found other activities to take its place.  Music shopping?  Initially, I relied on shopping strips or supermarket malls where I could shop for music whilst “M” hunted clothing or shoe bargains. Now there’s the internet.
Not that this was ever going to get in the way of our getting married.  As many people have written, marriage is just about the hardest thing that two people could undertake.  It is a commitment that requires patience, understanding, love and the ability to compromise.   I knew that I was ready to get married – and that my love for “M” was unshakeable – when I realised how easy it was to painlessly give up certain parts of my music life.  The biggest compromise was my gig going.  In the entire time we’ve been together, I’ve not seen more than five gigs in any given calendar year until this year when I’ll get to six and for half of that period I’ve seen no more than three per year. 

I’m still adding items to my collection, but I’ve found ways of doing this more efficiently.  This means I do this using far less time and, crucially, without it impeding much on our time together.  Mind you some of these developments were forced upon me with the closure of so many fine record shops.  These included the Last Record Store in Collingwood, Au Go Go Records and HMV in the City, and the loss of another via the merger of Collectors Corner and Missing Link Records also in the City.  The Brashs and Sanity chains are also completely or largely gone and even many of the department stores have dramatically cut back on stock.  For the most part only JB HI-Fi remains as does the legendary Greville’s records in Prahan, Polyster in the City and Fitzroy and a small number of second hand stores.
The internet has also helped, although it took a long time before I embraced it.  The catalyst came for a period of over 2011/12 when Amazon removed postage charges for deliveries to Australia.  Added to the then high state of the Australian dollar, I used this as the opportunity to order a mass of material that is extremely difficult, if not impossible, to get here. I closed my account when the reintroduced postal charges.  Since then, I turned my attention to my music library and have been expanding that, taking advantage of sites that also don’t charge postage.  I need to work fast; once the dollar starts to depreciate, I’ll close my account.

None of this stopped my musical explorations.  In the first decade of this century I started to delve into World Music once I’d accumulated enough of the key reggae albums.  This was an area I’d always had an interest;  I did go across to Adelaide for the first Womad Festival there in 1992 and I started collecting Fela Kuti albums as a result of listening to Talking Heads.  But over the last decade BJ turned into something of an authority on the music and pointed me into all sorts of interesting directions.
My explorations into the world of German experimental music (or Krautrock) were all my own doing and represents “M”s greatest musical legacy to me.  Before she entered my life, my knowledge of this field was limited to the mighty Kraftwerk as well as a couple of minor Can albums I’d been able to snag.  It started to take off when I returned to “M”s home city to visit her parents and get engaged.  As per usual standard operating procedure when I arrive in a new city, I poke around her hometown’s music stores.  It wasn’t (and still isn’t) all that inspiring.  However, she took me to a weekend market which seemed to specialise in music, movies and electronics.  There were so many music stalls there I felt I arrived in heaven.  At one of these stalls I bought Can’s Tago Mao and Future Days, a disc of John Peel Sessions and Kraftwerk’s hard to find in Australia first two albums.  From there I was hooked and over the course of the years since have added the master works from the likes of Cluster, Harmonia, Popul Vuh, Aamon Duul II, La Dusseldorf, Tangerine Dream and, of course, Neu!

But the biggest impact from these trips has come from my decision to purchase the one thing in my life that is welded to me today almost as securely as “M” – my iPod.  It's impact on my listening and purchasing patterns were to become significant.

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