By the time I returned to my office just before lunchtime on
the Wednesday, I had time only to play a couple of albums. As such I used it to get through the finest
studio triple album ever recorded:
(# 685) George
Harrison – All Things Must Pass (1970)
It was probably a measure of the deeply combative nature
between John Lennon and Paul McCartney during the final couple of years of The
Beatles that neither could recognise the sheer quality of songs that George
Harrison was building. (And that’s
despite the fact he contributed both Here Comes The Sun and Something to Abbey
Road, the last album the Fab 4 ever recorded.) Gathering together friends such
as Eric Clapton and the musicians that would subsequently form Derek And The
Dominoes, among others, Harrison released this magnum opus.
On first listen, what surprises even the casual Beatles fan
is the sheer number of classic tracks on this album. Sides 1 and 2 alone contained mega hits My
Sweet Lord and What Is Life as well as Wah-Wah, the first version of Isn’t It A
Pity and his cover of Dylan’s If Not For You.
Later sides contribute tracks of the calibre of Beware Of Darkness , I
Dig Love, the second version of Isn’t It A Pity and Hear Me Lord. Even now these tracks dominate the selection
in any given Harrison best of release you’d care to name.
Finally there is the third disc of material recorded during
jam sessions, collection known as the Apple Jam. Of these the most successful are
unquestionably Plug Me In, I Remember Jeep and Thanks For The Pepperoni, all
rollicking 50’s style instrumentals which borrows the central riffs from a number
of well known tunes and features some stinging playing by Harrison and Clapton.
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