Wednesday 13 March 2013

12 March 2013 (Day 71) – Clever Acts & A Not So Clever Label

Before I drifted off to sleep last night I downloaded another album from the same label site as my first two successful efforts with the aim of playing it at work today.  It was;

(189) Joan Armatrading – Steppin’ Out
This is a wonderful concert recording of Armatrading quite early in her career before she hit the real big time with the Me Myself I and Walk Under Ladders album.  On this she leads a crack band powered by the drumming of Little Feat’s Ritchie Hayward through the highlights of her early repertoire. Mama Mercy is a powerful opener leading into the jazzy Cool Blue Stole My Heart and a brace of ballads, the pick of which is probably Love And  Affection.  The heat is reapplied for the closing trio of rockier numbers You Rope You Tie Me, Kissin’ And  A Huggin’ and Tall In The Saddle.  It is a very fine set from a much underappreciated artist and why this album remains in limited CD release will continue to be a mystery.

But there was one thing about the download version of the album that really irked me.  In their infinite wisdom, the label concerned basically ended and started almost every track at the point in which the music started or ended.  As a result this makes for an incredibly disjointed listen as the tracks literally jump into each other.  I could possibly understand this happening if I bought each of the tracks individually but I did select the "purchase album" option.  Surely it wouldn’t have been that difficult to put the entire album there with appropriate track definition as per a CD release?  But I should be grateful as they did remember to keep the introduction though.
The rest of the day was spent listening to some really clever acts, starting with;

(190) Damon Albarn – Dr. Dee
Albarn has carved out such an eclectic career with his work in Blur, Gorillaz, The Good The Bad And the Queen among others that an opera based on the life of John Dee, Queen Elizabeth I’s scientific adviser shouldn’t really come as that great a surprise.   Although structured as an opera, it doesn’t have long stretches of classical instrumentation and operatic vocals.  These mesh with the other musical elements quite well but ultimately I’ll play his more mainstream work more frequently.

(191) Portishead – Dummy
It takes only the first 30 seconds of the aptly named opening track Mysterons – theramin, scratching, drums and the unique voice of Beth Gibbons – for Portishead to grabs the listener’s attention. Once focused, they never allowed the listener to lose it with a number of brilliant tracks including Sour Times, Numb, Biscuit and Glory Box.  It Could Be Sweet is not all that different to a Sade track and that the rest of the album doesn’t ultimately follow suit is testament to the musical vision of Gibbons, Geoff Barrow and Adrian Utley.

(192) Squeeze – East Side Story
 On this Squeeze made the leap from likely New Wave obscurity to the reliable creator of albums chock full of with clever songs with often witty lyrics about everyday life.  It is probably their best album although its successor, Sweets From A Stranger, runs it close.  Although it contains formidable tracks such as In Quintessence, the insanely catchy Is That love and Mumbo Jumbo and the hilarious country of Labelled With You, everything is overshadowed by one of my very favourite songs, Tempted.

(193) Fountains Of Wayne – Welcome Interstate Managers
I think there’s a pretty good case in describing the Fountains Of Wayne as an American version of Squeeze.  A friend of mine reckons this album is a bit overproduced but, if true, it still doesn’t get in the way of the wonderful tunes.  Many of these appear to be about the perils of sustaining a (non musical) career such as Bright Future In Sales,  a great number about a travelling salesman. All Kinds Of Time and Little Red Light are in this vein and Stacey’s Mom gave the band a well deserved hit.

(194) Pavement – Wowee Zowee!
Not many albums start with a phrase such as “There is no castration fear” but this is a Pavement album after all.  This was their response to the success of the more traditional sounding Crooked Rain, Crooked Rain being a form of retreat to the fractured sounds of Slanted And Enchanted.  But this approach does not get in the way of gems such as Rattled By La Rush, Grounded and Fight This Generation.  Father To A Sister Of A Thought added a bit of country to their overall mix up.

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