Keeping that in mind, I opted for some low key experimental
noises starting with the band that’s provided half of my pseudonym;
(195) Sonic Youth – A
Thousand Leaves
This is one of the more intriguing Sonic Youth albums. It’s got a very loose almost improvised feel that
isn’t anywhere near as loud as you think it should. This doesn’t mean that they shied away from
their patented brand of controlled guitar chaos; tracks like Sunday, French
Tickler and Karen Koltrane take care of that.
Rather, many tracks provide the impression you’re listening to Sonic Youth Unplugged, however this approach is
wholly integrated into their traditional sound on tracks like Wildflower Soul,
Hoarfrost and Hits Of Sunshine (For Allen Ginsberg).
(196) Tortoise – Self
Titled
Tortoise is an experimental band from Chicago that specialises
in languid instrumentals. Such an approach
was not altogether surprising given they were then without a recognised
guitarist. The line up for this album was
essentially 2 bass guitars, drums and other percussion instruments resulting in a great unreleased tension. The basses
frequently throb with menace and you think the band is about to burst out a la Sonic
Youth but it never really arrives; you might get a vibraphone explosion, as on
the track titled Ry Cooder, but that’s about it.
And that’s how I feel as I’m about to go to sleep, sort of
like the pilgrims at St Peter’s in Rome awaiting the election of a new Pope; excited
but really wanting tomorrow to come in the expectation of greater things.
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